The work
A short, deliberate filmography. Each one started as a story worth telling — narrative, documentary, and the quiet space in between.
A daughter drives her father across the Nullarbor to a funeral neither of them wants to attend. Eleven hundred kilometres, two people, and everything they never said.
The Long Way Home
A daughter drives her father across the Nullarbor to a funeral neither of them wants to attend.
Saltwater
Three generations of a fishing family hold on to a coast that is quietly disappearing.
Quiet Hours
A night-shift nurse and the strangers who pass through her ward before the city wakes.
Tributary
The river country of South Australia, told entirely without dialogue.
What the House Keeps
A family clears out a childhood home and finds the rooms remember more than they do.
First Light
Two strangers wait out a blackout and decide, before dawn, whether to be honest.
Story-led shorts, from a single scene to a festival cut. Written, directed, and shot with a small crew.
Patient, observational work that lets real people and places speak for themselves.
For brands who want a film, not content — built around a story instead of a shot list.